My Best friend got married when I was in Oregon and she was in New York. I couldn’t get to her wedding in body but I was definitely there in spirit.
She wanted me to make her a custom made wedding dress so I did. All of the elements were upcycled vintage laces other than the under pinnings and layers but those were upcycled vintage as well. The front bodice overlay was from a very old vintage wedding dress possibly from the early 1900’s scattered with some fake pearls. The dress was quite tattered when I found it probably on it’s way to a landfill if I had not rescued it from the garage sale pile of $1.00 each goodies.
The bodice back closure was from another wedding dress I found at a flea market also on it’s way to the trash at the end of the day. It was silk shantung but the bottom of the skirt was badly stained so I paid 3.00 for it and knew it would go to good use.
The applique cut from the back of the original dress, will be added to the back as a closure, it is a piece from the upcycled vintage wedding dress, beaded flowers on silk shantung. It is just pinned on now and it will not look so sloppy once I fit it into place and sew it on by hand, I love the little fabric covered buttons
Back bodice with applique pinned in place
The back panel after being sewn in place
And the back finally finished
The near finished dress, before I changed the flowers and added a bit of lace for the cap sleeves
The flowers in their final places, some also on the skirt…
And the lovely Bride with the groom and the groom’s father.
Altered Couture, Lace Bolero Vest, Reconstructed Vintage Wedding Shrug
Lace Bolero vest, altered couture from vintage laces and fabric by ResurrectionRags. (this item is no longer available for sale, but similar items may be custom made to fit your needs
I like to tell the stories of the clothes that I create, especially when I use handmade vintage linens and laces. I started this piece years ago and got stumped and buried it among the rest of my unfinished projects hoping someday to have that Eureka! moment that would bring it to life.
It started out to be a little cropped top made from crepe rayon left over from a reconstruct of an 80’s grunge dress, remember the big floral Maxi length dresses with the empire waist and tiered skirts? This was the bodice, what was left of it, after using the copious ruffles in several other projects. The front panel is a vintage hanky made of fine Irish linen with very intricate hand embroidery using a technique called Dresden Work, drawn thread embroidery.
For me it was a little too plain and seemed too delicate to wear. I stashed it away and mostly forgot it.
Fast forward to when I recently moved back to Miami Florida, my home town and had to organize my stash of vintage fabrics into a much smaller place and sorted all of my unfinished projects and decided I needed to finish them. Unfinished business is not good for the soul and it’s really not good for creativity.
I auditioned a few possibilities before the aha pieces fit together for me. part of a Battenburg lace collar (above) on the right side and a very delicate handmade tatted doily on the left side. I liked the doily but the Battenburg lace was too bold and a little stiff for the backing.
This (above) was a piece from a vintage peasant top which was made of patchwork vintage laces and handkerchiefs. It was beautiful but way too delicate, for wearing.
This was a corner of a vintage table runner, it was strong enough and fit perfectly. The floral lace trim along the top was leftovers from a wedding dress I made a few years ago. All of the elements were sewn on by hand, beads were added and VOILA!
Thank you for reading, I hope you enjoyed the story. I use to sell at a farmer’s market and I miss telling the stories and the interaction with the new owners of my pieces.
Feel free to visit my Resurrection Rags Facebook page to see more altered couture designs, vintage jewelry, reconstructed jewelry, handmade flowers and accessories, and much more…
Handmade OOAK Deconstructed Crocheted Bohemian Skirt
This skirt is a one of a kind deconstructed piece, the yoke of this skirt is from a pair of vintage 1980’s, Gloria Vanderbilt,cotton blue velvet, jeans, and four crocheted cotton, rectangular doilies. The top skirt is from a vintage 70’s cotton crocheted mini-dress and it has an under skirt which was salvaged from a vintage, girls, cotton gauze, dress to which a crinkled taffeta ruffle with raw edges, has been added for that great layered bohemian look.. The original pants zipper is still in use as the front closure and a decorative lace up application has been added to the back yoke. The watch pocket has been appliquéd with a sequined flower patch in deep royal blue (hard to see in the pictures), in order to cover the swan monogram that is Gloria Vanderbilt’s insignia. All of the original pants pockets are still usable, as the crocheted rectangles were sewn on by hand with sturdy quilting thread,or tacked on with vintage buttons in the back.
Handmade Reconstructed Patchwork Apron Top of Vintage Laces
This is a hand made deconstructed/reconstructed patchwork lace apron-style, top, made from vintage laces, vintage cotton eyelet lace, and a bit of satin, the upper edging is cotton crocheted edging, (made by myself), and the upper yoke is vintage, crinkled satin, stitched with random running stitches, it buttons in the back with a pretty vintage brass button, and a loop closure. The upper bodice ties halter style, and the bust is lined with a soft satin lining material. This is a very delicate piece but is well constructed, for durability. and the open back and halter style neck line makes the size slightly more adjustable.
MARIE ANTOINETTE GARDEN TEA PARTY VINTAGE LACE WRIST CUFF
This beautiful gauntlet/wrist cuff is made from a vintage, green and cream, cotton lace, with leaf and flower motifs, and a sturdy, White Chantilly lace from a vintage wedding dress, it is embellished with little pink ribbon roses, the lower edge is embellished with a moss green, free form, hand crocheted and beaded, bracelet with faux pearls, Australian crystals,glass beads, and malachite chips. It’s closure is a vintage rhinestone button, with hand made cotton loop. A ribbon is used to cinch in the lower arm corset style.
this cuff reminds me of Marie Antionette,and pretty little cakes, and fairies, and tea parties in gardens